In partnership with Butterfly Conservation and the William Morris Gallery, The Colour of Transformation began life in 2022 as a documentary in conversation with seven women of the Global Majority forging new paths in some of the least diverse sectors in the UK - conservation, natural history and the outdoors.

Trailer film by SDNA, supported by Arts Council England

Photographs: Ewelina Ruminska, 2022

Their stories illuminate both the pressures and the potential for change in embarking on such a journey. From hiking to writing, they are undertaking pioneering work and in doing so, challenging stereotypes about who ‘belongs’ in nature, empowering others to develop their own sense of agency along the way.

In the film, the women shared personal experiences of transformation, reflecting on what they needed to let go of, what they embraced and how they nourished and protected themselves as they emerged as leaders and change-makers. 

Meet the interviewees below.

Inspired by these stories, a team of creatives developed an artist’s film exploring the interior world of the chrysalis. The short performance invites audiences to imagine the unimaginable; what does metamorphosis feel like? How can we embody, express and evoke transformation?

Through layers of spoken word, pattern, movement and music, the artist’s film explored primal feelings of belonging to and encounters with the forces of nature, and the terror and beauty of release and rebirth. Wondering at the mysterious experience of entering chrysalis as one creature and reemerging as another, dance, music and patterns together expresses the joy of discovering that one can move through the world in a completely new way. 

Meet the team below.

The textile designs featured in the film started life as ‘wild drawings’ inspired by the pioneering Trinidadian textile designer Althea McNish (1924 - 2020), who was celebrated in a major William Morris Gallery retrospective in 2022.

There was a confidence and a flamboyance to the way she experimented with pattern-making that set her apart from other post-war designers. She worked fearlessly with colour, once saying, 

What is there to be afraid of? (Colour) is a language of its own. You don’t hold on to that. You spread it around you…It’s fun, get on with it.

Inspired by exhibition, Bryony Ella led a series of ‘Wild Drawing in Colour’ workshops in the gallery’s gardens, inviting members to sketch using McNish’s vibrant palette (pictured below). The resulting artworks were turned into patterns, printed and animated through dance in the artist’s film.

screenings

Meanwhile Gardens, London October 2022

Previous
Previous

Introduction

Next
Next

Trinidad